展讯|冷却COOLING

2018年01月17日 08:46 新浪收藏
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  G.ART新展 ▏冷却COOLING

  参展艺术家:

  陈文波 CHEN WENBO

  范西 FAN XI

  韩娅娟 HAN YAJUAN

  刘展 LIU ZHAN

  秦琦 QIN QI

  汤国 TANG GUO

  王业丰 WANG YEFENG

  徐跋骋 XU BACHENG

  许巽翔 HSU HSUNHSIANG

  杨铭 YANG MING

  张贯宇ZHANG GUANYU

  展期:2018.1.14-3.11

  地点:金鹰当代艺术空间G.ART,南京扬子江大道266-3号

  “冷却”在这里至少有两层含义。艺术博览会带来的巨大的视觉压迫感之后,回归艺术机构平台和理论建构框架下,艺术从自身那里被“降温”了。对比博览会的喧嚣和学术的严肃面型,艺术本身和名利场之间,哪一种关系更符合艺术发展的需求?有一句近来常用的套路展示了艺术内在的矛盾:“当我们谈论艺术的时候,我们在谈论什么?”。如果艺术是空无一物,那么以艺术为主体的艺博会、拍卖等市场机制又在谈论什么。另一方面,艺术作品在艺术家那里得到了冷却,北京的艺术创作生态在城市变迁的逼迫下开始进入一种晚期的放逐状态,之所以说是晚期,是因为这种放逐由来已久,现在艺术家们被进逼到一个需要做出选择的时候。上海又是另一番景象,作为一个舞台,繁华的背后并未直接为第一线生态提供帮助。市场只需要消费明星。所以这个时候那些非中心区域也许是一个自我展示的契机,比如南京、成都、武汉这样的城市。

  Here, “Cooling” has at least two meanings。 After the immense visual stress brought about by art fairs, art “cools off” when it returns to the platforms and theoretical structures of cold art institutions。 In comparing the clamor of the art fairs with the seriousness of academic discourse, and pure art with fame and fortune, which relationship best meets the needs of artistic development? A question that has become common recently reveals the intrinsic conflict of art: “What are we talking about when we talk about art?” If art is empty, then what are the market mechanisms of art, such as art fairs and auctions, about? Artworks can also be cooled off by the artist; the environment for artistic creation in Beijing, shaped by the forces of the changing city, has become more like late-stage exile。 We use the term “late-stage” because this gradual push toward banishment has existed for a long time, and artists are approaching a moment when they need to make a choice。 Shanghai is different, because the extravagance of the stage provides no direct help to the front line; the market only needs consuming stars。 This may be the time for other cities, such as Nanjing, Chengdu, and Wuhan, to shine。

  85新潮之后的90年代艺术我们可以看作是一种“冷却”,那种退出聚光灯回归工作室的冷却。今天的情况可能与那个时期有相似之处。

  We could see the 1990s art that emerged after the ’85 New Wave as a “cooling,” in which artists retreated from the spotlight to the studio。 The situation today may bear some similarities to that period。

  金鹰当代艺术空间推出的年初群展“冷却“,集合了不同工作方法的艺术家,但在这个关于自我梳理的视角下一起被观看,并在中心话语之外找到艺术和城市生态的彼此位置。展览的艺术家包括:陈文波、范西、韩娅娟、刘展、秦琦、汤国、王业丰、徐跋骋、许巽翔、杨铭、张贯宇。

  G.ART is proud to announce the first group exhibition of the year: “Cooling。” The show brings together artists with different working methods, but they are viewed together within this space of self-examination, finding their places in the artistic and urban environments outside of central discourses。 The participating artists include Chen Wenbo, Fan Xi, Han Yajuan, Liu Zhan, Qin Qi, Tang Guo, Wang Yefeng, Xu Bacheng, Hsu Hsunhxiang, Yang Ming, and Zhang Guanyu。 There are immense differences in the artists’ ages, stylistic methods, and backgrounds, but they find common ground amidst these differences through the theme of “cooling。”

  展览将于2018年1月14日开幕,并持续至3月11日。(逢周一和新年法定假期闭馆)

  The exhibition opens January 14, 2018 and will continue until March 11。 (Closed Mondays and statutory New Year’s holidays。)

  金鹰当代艺术空间(G.ART)是由金鹰国际集团创立的一家独立的专业艺术机构,致力于支持、推广、呈现和研究梳理富有探索精神的艺术及观念。同时构架公众理解和参与当代艺术的平台,并促进多元文化的跨界与互文。

  G.ART is an independent arts institution founded by Golden Eagle International Group。 G.ART supports, promotes, presents, and researches experimental art and ideas, providing a platform for the public to participate in contemporary art and interact with a diverse range of cultural disciplines。

  联系方式:

  关注金鹰当代公众号,可以直接留言

  邮箱:gart@jinying.com 电话:025-84708898分机号6626

  地址:中国南京市扬子江大道266-3号

杨铭 谎言Lie 工业塑料光敏树脂Industrial plasticsPhotosensitive resin 可变Variable 2014杨铭 谎言Lie 工业塑料光敏树脂Industrial plasticsPhotosensitive resin 可变Variable 2014
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维也纳Vienna                                                                                               
数码摄影digital photography                                                                     
尺寸可变Variable                                                                                          
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